Shakespeare Without Class: Misappropriations of Cultural Capital
Classless, tasteless, and unclassifiable uses of Shakespeare, from the Bad Quarto of Hamlet to contemporary €œpost-queer€ same-sex version of Romeo and Juliet, join each other through this collection of intriguing new essays that capture the essence of what its editors term €œShakespace.€ An alternative to €œappropriation,€ €œShakespace€ describes uses involving not a defined, ideological boundary patrolling but a creative, often dissident or transgressive, social space of transformation.
TitleShakespeare Without Class: Misappropriations of Cultural Capital
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