The book presents a decade-long perspective on contemporary visual practices in India, with stunning visuals and insightful essays by leading intellectuals in the field. Engaging with a diversity of art practices and creative conditions, the publication (and exhibition) questions cultural structures that segregate visual practices, making a case for a polycentric aesthetic. In this argument for an inclusive and non-hierarchical consideration of visual culture, Edge of Desire presents a new contribution from the sub-continent to the debate on the nature and purpose of art practices and art histories. At the same time, it offers a visually exciting and intellectually stimulating array of new art from India generated through an intermingling of influences and traditions.