A Beach Full of Shells

For a singer and songwriter whose work is suffused with history and detail, Al Stewart follows no creative timetable. It€s been 10 years since his last US CD of new material and almost 30 years since his "Year of the Cat" single and album became unforgettable international hits.

"A Beach Full of Shells," Al€s Appleseed debut and first new US release since 1995€s "Between the Wars," finds Stewart in timeless form, presenting 13 new songs that span centuries and continents, autobiography and fiction. As he nears the 20-album mark, Stewart remains a distinctively literate and vivid storyteller, time-traveling and teleporting from World War I battlefields to Sixties bedrooms, from ships to airplanes to ice floes, from the specific to the mysterious.

Musical settings that encompass electric folk-rock and acoustic ballads, colorful dabs of classical and Eastern music, and even a touch of Little Richard-style piano pounding, are as varied and imaginative as Al€s subject matters. The CD€s producer, Laurence Juber has enhanced Al€s elegant Scottish drawl, nimble acoustic guitar-work and keyboards with his own Grammy-winning guitar playing, string arrangements and percussion and a flexible rhythm section.

"The Immelman Turn" kicks off the CD in a style reminiscent of Fairport Convention, with spirited violin and barbed electric guitar sweeping us into the tale of a doomed pilot€s last flight. Then we fall down the genteel rabbit hole of "Mr. Lear," a tribute to the 19th Century nonsense poet, before landing in the veiled intrigue of "Royal Courtship." Elsewhere and elsewhen, we are taken "Somewhere in England 1915"; into the freezing bleakness of "Out in the Snow"; to visit party girl "Gina in the Kings Road"; to the frenzied rock €n€ roll past of "Class of €58" and a peaceful, nostalgia-filled old age in "Katherine of Oregon." And that€s just part of the tour on "A Beach Full of Shells."